"It is probably safe to say that very few films these days know very much about real life. Safer to say that most films these days know even less about the nature of death. A lot of movies about death are more interested in the celestial wallpaper. The afterlife on film is usually a perspective on what Heaven and Hell might look like and those who die are usually more interested in tying up romantic loose ends or returning to unfinished business. Very few films have ever matter-of-factly considered the afterlife from the point of view of the traveler who has crossed the threshold to the undiscovered country.
Hirokazu Koreeda’s Afterlife is almost alone in it’s contemplation on the importance of the single moment or moments that shape our humanity. In 1999, Koreeda created this absolutely beautiful examination of the stopover between life and death where the choice of a lifetime must be made: What single memory would you carry with you to your eternal reward? The examination is vessled by 22 travelers who, for various reasons, have died and arrive from a white light to a place that is neither here nor there. They are in a way-station between the end of life and their eternal lodgings. The counselors who work here meet and interview several recently dead people each week. The travelers are tasked with choosing one memory from a lifetime that they will carry over into the eternity that awaits them. Once a memory is selected it will be turned into a film and screened before the patron vanishes with the memory, all other memories having been eliminated."
Movie of the Day: After Life (1998) | armchaircinema
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