From a beautiful, moving essay by Noah Gittel about the death of his father:
"The simple practice of caring for him made me love him more than ever before. He was on a heavy dose of morphine the day we took him off life support, and after the doctors left the room, I sat with him and stroked his beard, which the doctors had let grow back to its normal length because there was no reason to keep it trimmed.
I started talking, saying all the things they suggest. “I love you. I forgive you. Forgive me. Thank you. Goodbye.” He opened his eyes and rolled them over in my direction.
Did he see me?
Had he ever seen me?
I kept talking, He closed his eyes and did not open them again.
For all of my grappling with my feelings, and for all the lies that cinema tells about the death of a family member, this was as close to a "Magnolia Moment" as I was going to get. And yet frogs did not fall from the sky. He slipped away, and I am left searching the movies for answers, still struggling to make sense of a relationship that I couldn’t find the courage to scrutinize while he was alive. The credits have rolled, but I’m still waiting for the movie to end."
The Lies of the Deathbed Scene (and Also the Truth) | Balder and Dash | Roger Ebert:
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